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New Designer’s 2015 – Part Two

As the degree show season draws to a close, I've chosen three of my top finds from New Designer's Part Two to wrap things up for the Summer. All very different, but give a cross-section of some of the incredible talent that has come through UK Universities this year.

Emma Buckley
Bath School of Art and Design, Bath Spa University
3D Design

Emma experimented with a new process using dyes traditionally used in the textile industry with surprisingly effective results. The range of vessels she produced for her graduate collection have a certain painterly quality with each experimentation producing an unusual one-off piece. It’s fresh, new and interesting colour palette made her work one of my favourite collections this year. http://embuckley.com

Sam Bellamy
Nottingham Trent University
Furniture and Product Design

Having already exhibited at May Design Series this year, and becoming the winner of the Accessories and the People’s Choice Award, I predict big things for Sam. As the names suggests, his graduate collection ‘Moroccan Lamps’ take inspiration from traditional Moroccan lighting. With their roots firmly set in England, each element is handmade in the UK, and with the commerciality of his work already in mind, each is available in a range of made-to-order finishes.
http://www.bellamydesign.co.uk

Paige Alexis Jones
University of Portsmouth
Illustration

 

Paige Alexis Jones illustrations are quiet, subtle, beautiful and airing on the side of macabre as she explores elements of death and decay. Observations using taxidermy and the animal work for reference, these delicate drawings show a strength and confidence way beyond that of a recent graduate.
http://earthlylittlethings.com

New Designer’s 2015 – Part One; Surface Pattern & Textiles

After a few technical issues with the blog this week, I can finally bring you my favourite Surface Pattern and Textiles graduates from New Designers...All my top finds from Part 2 are coming soon...

Harriet Mackie
Leeds School of Art
Printed Textiles & Surface Pattern Design

I had the pleasure of meeting Harriet when I visited, and she took me through her extensive portfolio of colourful, clashing, bright prints. Each design starts with a simple hand-drawn study which is then converted into a repeat pattern to eventually be used on wallpaper, gift wrap and accessories. Harriet is intending to use the facilities available at Leeds School of Art to further develop her collection, and in the meantime, I’ll be seeing how many rooms I can re-decorate to include her designs.
http://www.artsthread.com/portfolios/tropicalefflorescence/

 

Siobhan Louise
Carmarthen School of Art
Textiles; Knit, Weave, Mixed Media

Siobhan’s collection of cushions, plates and mugs with her geometric influences really stood-out. Inspiration comes in many forms, so it was surprising and refreshing that her final pieces were based around her love of football, and the abstracted patterns have created a strong collection of simple monochrome magic.
www.facebook.com/SiobhanLouiseTextiles

New Designer’s 2015 – Part One; Jewellery

I’ve been going to New Designers for a number of years now, and I have to say that this year has some exception talent on show. So much so, I’ll be splitting Part One into three posts covering Ceramics, Surface/Textiles design, and Jewellery.

Katy Fletcher
De Montford University
Design Crafts

Katy has a unique take on contemporary jewellery, referring to herself as a collector, gatherer and maker, the collection draws on her love of found objects and how these influence the outcome of each piece. She has experimented with enamelling for some time, and has a strong following with her geometric, pastel pieces which she has been making and selling online alongside completing her degree. This tougher edge to her work has a more organic feel taking reference from erosion, naming her collection, ‘Worn Away’. Next up, she plans to continue working as a jewellery designer and maker, and with found objects taking centre stage as her inspiration, the possibilities are endless. http://katyfletcher.blogspot.co.uk

Natalia Antunovity
Birmingham City University, School of Jewellery
Design for Industry

Hungarian born Natalia showcases her clean, modern jewellery collections at this year’s New Designer’s. Her collection entitled ‘The Play Element I and II caught my eye in particular, where delicate detailing is pared perfectly with a strong, minimal exterior. Combining 3D and traditional techniques, Natalia also utilises modern forming and joining techniques to achieve complex designs which would otherwise be impossible to make.
http://nataliantunovity.wix.com/nataliantunovity

Megan Collins
Vannetta Seecharran School of Jewellery
Jewellery Design

Megan’s graduate collection draws on modern, geometric shapes with its inspiration rooted in the natural world. Her early process was to look at the repetition found in plants, and creating a balance between the natural environment and abstract geometry. The pureness and simplicity of her work was incredibly beautiful, the individual disks in polished sterling silver translated from rings to necklaces in this strong and professional display.
http://www.megancollinsjewellery.com

Melissa Yarlett
University of Central Lancashire
Contemporary Crafts

Melissa’s work combines delicate clusters of silver and precious stones with clean lines in sterling silver. Her inspiration stems from the beauty of lichen and has managed to create these cluster formations bringing texture and colour together in each unique piece. She currently works from her small studio in North West England, making each piece by hand. The contrast of the lichen-inspired formations with the simplicity of the rings and necklaces was incredibly tactile and beautiful and has the balance of intricacy and simplicity exactly right.
http://www.melissayarlett.co.uk

Still Life

There is something beautifully delicate about the work of Lale Guralp. The Chelsea College of Art & Design graduate uses only the sharpest HB pencils to draw the exquisitely detailed still life pieces, with no need for colour, each pencil mark has a boldness that a wash of colour is simply not needed.

Having a printed textile background, Lale spent two years working with Terence Conran designing soft furnishings before going it alone as a freelance designer and artist.

Her distinct style of illustration is centred around the detail, and like pressed flowers, she has suspended the delicacy of nature in each fine art exploration.

Bringing the basics of observation using the simplest of tools, each piece could be considered a labour of love, with the Pineapple illustration alone taking around 110 hours, over 2 months to draw.

With the emergence of digital mark-making, the purity of Guralp’s work speaks for itself, Still Life is alive and well.

Designed for Living…

Vibrancy comes in many forms; personality, style, creative expression, the list goes on, but this was the one word that came to mind when we were introduced to the House of Arike.

Creative Director Arike was born in Nigeria and raised in London, so the fusion of both African and Western cultures was something that came naturally. Combined with a love for interior design, it wasn't long before the House of Arike was founded, specialising in creating avant-garde, luxury, African print home accessories.

We have always loved the incredible colours and patterns created in African fabrics, so taking these cultural representations, and being able to see them in a domestic setting is very exciting.

We now have the pleasure of working with House of Arike on bringing you their first collection, and as their mission statement so concisely sums up, '...Inspired by Africa, Designed for Living...'