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New Designer’s 2015 – Part Two

As the degree show season draws to a close, I've chosen three of my top finds from New Designer's Part Two to wrap things up for the Summer. All very different, but give a cross-section of some of the incredible talent that has come through UK Universities this year.

Emma Buckley
Bath School of Art and Design, Bath Spa University
3D Design

Emma experimented with a new process using dyes traditionally used in the textile industry with surprisingly effective results. The range of vessels she produced for her graduate collection have a certain painterly quality with each experimentation producing an unusual one-off piece. It’s fresh, new and interesting colour palette made her work one of my favourite collections this year. http://embuckley.com

Sam Bellamy
Nottingham Trent University
Furniture and Product Design

Having already exhibited at May Design Series this year, and becoming the winner of the Accessories and the People’s Choice Award, I predict big things for Sam. As the names suggests, his graduate collection ‘Moroccan Lamps’ take inspiration from traditional Moroccan lighting. With their roots firmly set in England, each element is handmade in the UK, and with the commerciality of his work already in mind, each is available in a range of made-to-order finishes.
http://www.bellamydesign.co.uk

Paige Alexis Jones
University of Portsmouth
Illustration

 

Paige Alexis Jones illustrations are quiet, subtle, beautiful and airing on the side of macabre as she explores elements of death and decay. Observations using taxidermy and the animal work for reference, these delicate drawings show a strength and confidence way beyond that of a recent graduate.
http://earthlylittlethings.com

New Designer’s 2015 – Part One; Surface Pattern & Textiles

After a few technical issues with the blog this week, I can finally bring you my favourite Surface Pattern and Textiles graduates from New Designers...All my top finds from Part 2 are coming soon...

Harriet Mackie
Leeds School of Art
Printed Textiles & Surface Pattern Design

I had the pleasure of meeting Harriet when I visited, and she took me through her extensive portfolio of colourful, clashing, bright prints. Each design starts with a simple hand-drawn study which is then converted into a repeat pattern to eventually be used on wallpaper, gift wrap and accessories. Harriet is intending to use the facilities available at Leeds School of Art to further develop her collection, and in the meantime, I’ll be seeing how many rooms I can re-decorate to include her designs.
http://www.artsthread.com/portfolios/tropicalefflorescence/

 

Siobhan Louise
Carmarthen School of Art
Textiles; Knit, Weave, Mixed Media

Siobhan’s collection of cushions, plates and mugs with her geometric influences really stood-out. Inspiration comes in many forms, so it was surprising and refreshing that her final pieces were based around her love of football, and the abstracted patterns have created a strong collection of simple monochrome magic.
www.facebook.com/SiobhanLouiseTextiles

New Designer’s 2015 – Part One; Ceramics

Eva Radulova
Staffordshire University
MA Ceramic Design for Manufacturing

Eva’s clean lines, minimal palette and attention to detail stood out for me. Combining angular aesthetics with more fluid pieces, she has created everyday tableware as well as more decorative vessels. Working from the heart of Stoke-on-Trent’s famous and historical potteries, Eva has produced some beautiful 21st Century ceramics.
www.facebook.com/ERadulovaCeramics


Emma Lyon
De Montford University
Design Crafts

Taking her inspiration from positive and negative space in the natural world, Emma demonstrates her technical skills combining mould-making, slip-casting and slip-trailing to create these fragile yet strong hand-held bowls and larger statement pieces. Her colour palette is also a nod to the natural world with the complimentary, muted, yet fresh colours working together making it very difficult to just admire one piece alone.
www.facebook.com/emmalyon25designermaker


Josie Seymour-Jones
Hereford College of Arts
Contemporary Design Crafts

Although Josie works in 3D, she uses clay as if it’s a canvas, painting and building up layers to create interesting landscapes and textures in her work. These small, quiet, delicate pieces when combined together create an undulating view, perhaps taking reference from her hometown in North Wales.
www.josiesjones.co.uk


Thomas Carl Mann
De Montford University
Design Crafts

I’ve admired Thomas’ work through the wonders of Instagram for a little while now, so it was lovely to see it first-hand last week. Taking his inspiration from nautical paraphernalia, he has embellished his work sympathetically using natural materials leather and copper, that really compliment his choice of colour palette, giving it a sophisticated and contemporary feel.
www.facebook.com/thomascarlmann

New Designer’s 2015 – Part One; Jewellery

I’ve been going to New Designers for a number of years now, and I have to say that this year has some exception talent on show. So much so, I’ll be splitting Part One into three posts covering Ceramics, Surface/Textiles design, and Jewellery.

Katy Fletcher
De Montford University
Design Crafts

Katy has a unique take on contemporary jewellery, referring to herself as a collector, gatherer and maker, the collection draws on her love of found objects and how these influence the outcome of each piece. She has experimented with enamelling for some time, and has a strong following with her geometric, pastel pieces which she has been making and selling online alongside completing her degree. This tougher edge to her work has a more organic feel taking reference from erosion, naming her collection, ‘Worn Away’. Next up, she plans to continue working as a jewellery designer and maker, and with found objects taking centre stage as her inspiration, the possibilities are endless. http://katyfletcher.blogspot.co.uk

Natalia Antunovity
Birmingham City University, School of Jewellery
Design for Industry

Hungarian born Natalia showcases her clean, modern jewellery collections at this year’s New Designer’s. Her collection entitled ‘The Play Element I and II caught my eye in particular, where delicate detailing is pared perfectly with a strong, minimal exterior. Combining 3D and traditional techniques, Natalia also utilises modern forming and joining techniques to achieve complex designs which would otherwise be impossible to make.
http://nataliantunovity.wix.com/nataliantunovity

Megan Collins
Vannetta Seecharran School of Jewellery
Jewellery Design

Megan’s graduate collection draws on modern, geometric shapes with its inspiration rooted in the natural world. Her early process was to look at the repetition found in plants, and creating a balance between the natural environment and abstract geometry. The pureness and simplicity of her work was incredibly beautiful, the individual disks in polished sterling silver translated from rings to necklaces in this strong and professional display.
http://www.megancollinsjewellery.com

Melissa Yarlett
University of Central Lancashire
Contemporary Crafts

Melissa’s work combines delicate clusters of silver and precious stones with clean lines in sterling silver. Her inspiration stems from the beauty of lichen and has managed to create these cluster formations bringing texture and colour together in each unique piece. She currently works from her small studio in North West England, making each piece by hand. The contrast of the lichen-inspired formations with the simplicity of the rings and necklaces was incredibly tactile and beautiful and has the balance of intricacy and simplicity exactly right.
http://www.melissayarlett.co.uk

Surviving the Graduate Shows

Summer Degree shows are already underway up and down the country from Falmouth School of Art to Duncan of Jordanstone in Dundee. The next step for many is to take a trip to London to showcase their work at national shows including New Designer’s, D&AD New Blood and Free Range, and is seen as the first opportunity for final year artists and designers to gain an insight into opinions beyond their tutors and peers.

A daunting and exciting prospect in equal measures, they are certainly my first port of call when I’m  scouting for new talent. This year is my fourth year visiting, and is always a highlight in my calendar, giving me a chance to see some of the best products, prints, fashion and furniture UK’s new designers have to offer.

As many of you will be preparing for a busy few weeks ahead, I thought it would be useful to share a few tips on how to survive London’s national degree shows. But before I do...I graduated in Product Design from Nottingham Trent University in 2004 and was not selected to be part of New Designer’s. I was devastated, as I thought this was my only shot at getting a job in the industry. For all of you that didn’t make the cut, do not be disappointed, there are many other ways to get your work in front of the right people. (I’ll be sharing my advice on this in my next blog post.)

So for all you lucky ones out there, (who I may get the chance to speak to), here are my tips to making it through a crazy busy few weeks…

It may sound obvious, but keep your business cards topped up every day. 
There have been a number of occasions when I’ve been really interested in a graduates work, but there wasn’t any cards to hand, and simply had to walk away with minimal details. These rarely then make my shortlist.

Don’t feel obliged to stand by your work the entire time.
You may feel like if you walk away from your stand, you may loose out on meeting that one person that gives you a big break. Honestly, if they are really keen on your work, they will leave their details or come back again to see you. Plus, it’s good to take in other work from other university stands, be inspired, pick your own favourites, take a few cards, photos etc.

Encourage people to take photos.
It’s the social media age, and any images of your work that could potentially end up on someone’s twitter or Instagram feed is always a positive. I wanted to take photos of a graduate's collection last year, and was told no photos allowed. They could have been someone I would have promoted and eventually worked with, by being denied this opportunity, I had no visual reference to work with and so they didn’t make my shortlist. Plus it’s a good ice-breaker if you’re not so confident about talking to people, invite them to take photos, and give them a card with your Twitter/Instagram details. Being tagged will mean you can keep track of any coverage you gain.

Have realistic expectations.
There will be a lucky few of you that will get noticed by the right people, the buyers at John Lewis, the shopping editor of Elle Deco for example, but the reality is, the majority of you will not come away with any leads. This may sound hugely negative, but I don’t think anyone ever actually says it! The shows should be used as an exciting opportunity to branch out beyond the campus walls, gain confidence in essentially selling yourself, and your work, whether to an interested passer-by or to the creative director of a leading design agency, without feeling completely overwhelmed that every person is your one shot. Any feedback should be regarded as enriching and positive, and make you more determined to move forward with more confidence.

Translating Off-line to On-line.
With such a variety of free online resources available, if you haven’t got a blog or website yet, set one up. It’s a vital online tool to highlight your work and creating a digital portfolio is the best way to get your work out there, beyond the show stands. You’ll no doubt know more about this than me! So I won’t offer too much advice, but aligning this with details on your business cards will make it extremely easy for admirers, bloggers and buyers alike to remember your work.

Also, make sure it’s all up-to-date, when I come away with 10-20 cards of shortlisted graduates, there’s nothing worse than going onto a website to just see a holding page or no contact details. Sounds really obvious, but there have been many designers I’ve tried to track down and haven’t been able to once the shows are over.

Don’t be shy, it’s all about you.
Not everyone is that confident talking about themselves or their work, but remember, no one knows it better than you. You did the research and development that got to this point. Talk about the processes, and the inspiration, it doesn’t have to be a lot, but your passion for the work will come through regardless. Perhaps put a blog post together that you can lead interested people to if you find it really hard to talk to people, and give them a business card to find out more.

You don’t have to spend a lot of money.
Business cards, postcards, press packs, and hand-outs all cost money and there’s no need to go crazy. You’ve already spent a huge amount of money getting to this point, and of course looking professional is great, but a whole plethora of marketing materials isn’t necessary. Simply presenting your work in the best way you can, with a good amount of business cards that lead you to a blog or website is more than enough at this stage. Focus on the work and best way to be contacted, and you can plan your marketing strategy once you’ve got yourself established.

I’m sure there are plenty more tips and suggestions to offer, so feel free to add your own in the comments section. Good luck to everyone making the trip down to London over the next few weeks, I’m excited and you should be too!

Amy LeighAlexandra WebbCM CarterCM CarterRose HonickRose HonickHolly Eden & Lucy WilkinsJennifer StaffordJennifer StaffordLale GuralpLale GuralpLale GuralpLucy WilkinsRoisin ConnollyRoisin ConnollyRoisin ConnollyReece Curtis-WalwynSophie CobbSophie CobbTom HutchinsonTom Hutchinson

Pop-up on Paul Street

Clerkenwell Design Week has been growing in stature over the last few years, and being on the fringe of the fringe of it, surrounded by such talented designers was amazing.

Four months of planning, picking and prettifying later, and I had my first proper Look Like Love shop. It may only have been for one week, but it gave me a sense of excitement that one day having a permanent space to showcase new designers was definitely something to aim for. The launch brought friends, family and curious passers-by together, sharing in the experience with a range of limited edition products, prints and prosecco on offer.

I never go into a space with any expectations on who will pop in, what will sell, and how much money will be taken, as for me, along with the designers, this is all still very new and I'm learning and growing my brand in parallel with all of them. That being said, I couldn't have put it together without their amazing work, help and company, and we now share not only in what real customers think about the work, but we're pretty good at putting up some particularly tricky vinyl too!

Click on 'Read More' to see images from launch night...

  • Amy Leigh
  • Roisin Connolly

Pop-Up+ Campaign Design

With 4 weeks to go until the launch of our next pop-up, I wanted to turn the attention to the events calendar we’ve put in place, an exciting new addition to Look Like Love.

It seems like a pop-up, well, pops up every week in London, and with Clerkenwell Design Week happening a stones throw away, we wanted to present a pop-up+ so an opportunity to meet the designers taking part, working in the space, creating their one-off and limited editions live in store. We wanted to showcase their work, as well as their story and unique point of view as an emerging talent jostling for position in an ever-competitive creative industry.

Sitting alongside these fresh faces, we have invited creatives with over 20 years industry experience to talk about their approach and how they have made their mark on the creative landscape, as well as offering guidance and advice to the next generation.

On Wednesday 20th May, creative director Philip Handford of London-based agency Campaign Design, will talk about the Future of Retail Design and how the experiential elements of design are carving out a new shopping experience for consumers.

 

Burberry, London

 

Philip has worked for some of the most successful global design agencies, including Imagination and Universal Design Studio before setting-up Campaign, securing Burberry as his first client.

The last five years have seen the agency grow with clients including 3.1 Philip Lim, Dunhill and Selfridges to name a few, with each having a unique point of view, there is definitely no ‘house style’ when you look at the portfolio of projects on Campaign’s website.

 

 3.1 Philip Lim | Pelham Street, London

 

With The Fragrance Lab taking over the entire corner of Selfridges late last year, and the first time customers could walk through the window, it was a unique sensory experiential journey to create a bespoke fragrance, the ultimate personal service without a pushy spraying sale assistant in sight.

This approach to retail design that envelopes the customer gives an interesting insight into consumer behaviours, something that Philip continues to explore at varying levels depending on the client and environment.

 

The Fragrance Lab | Selfridges, London

 

Come and meet Philip on Wednesday 20th May from 2-3pm as he talks about his approach and point of view when it comes to design that engages all the senses.

Spaces are limited, so book your free ticket here.

See what else is on offer during the week on our Up-coming Events page

The Hands-on Approach

With a mere 5 weeks to go to the next pop-up, I’m excited to announce the full line up of talented, emerging British designers you can expect to see.

The week long pop-up shop is aimed to highlight designer-makers with an emphasis on hand-crafted techniques, a trend that has been emerging over the last couple of years, with a move away from digitally-aided design. Focusing on the tactile relationship between the designer and consumer, each designer’s collection has a sense of honesty and craftsmanship, with many pieces either a limited edition or one-off item.

The designers has been honing their craft over the last few years, and by having more of a hands-on approach provides a better understanding of production, and the best techniques to use instead of relying on computer-aided enhancements.

From the 19-23rd May, as well as presenting new collections from 13 up-and-coming designers, we will also be holding a series of in-store workshops, talks from the creative industries, and daily portfolio surgeries for up-coming graduates throughout the week, and I’ll have more on the full events calendar in the next couple of weeks.

Amongst the 13 designers taking part are a selection of designers who showcased at the exhibition last September with their new collections for 2015, alongside new additions to Look Like Love.

Roisin Connolly is one of Look Like Love’s original designers and showcased her early collection at our first pop-in in Peckham in 2012. Since the launch of her own website, Roisin has built a strong following, and has been non-stop fulfilling orders as well as developing her latest collection of statement jewellery.

Since September textiles and print designer Holly Eden has been teaching as well as exhibiting in various local exhibitions. For the pop-up in May she has expanded her collection of silk scarves and headbands with her signature hand-drawn prints, as well as presenting new larger, silk wall hangings.

A recent addition to Look Like Love, Lale Guralp’s popular hand-drawn still life illustrations are her labour of love, with the original pineapple drawing taking 110 hours to complete. Expect to see the full range of prints and limited editions on show with mini greetings cards available too.

Sophie Cobb showcased her graduate collection at last September’s exhibition and has been busy working on her latest collection, as well as working as an art teaching assistant. She has been experimenting with glazing and building on the colour palette she developed during her final year at university to create a subtle, crafted mix of small one-off vessels.

Illustrator and print designer Lucy Wilkins applied to this year’s New Talent Search and having met her last month, it was a must that she was involved with the pop-up. Her work is inspired by the nostalgia of mid-century design and crockery that she finds at car boot sales. Her illustrations mix hand-drawn interpretations with a retro colour palette.

Reece Curtis-Walwyn has been super busy working on her S/S 2015 womenswear collection, and her work ethic is incredible having showcased her latest work at London Fashion Week earlier in the year, several of editorials, and a charity fashion show in the pipeline, she never stops. Reece will be stopping for at least the week of the pop-up, to present her line to prospective buyers.

This year’s New Talent Search not only brought out recent graduates, but also students in their 3rd year of study. One such designer was Alexandra Webb who travelled all the way from Leeds to meet me. I’m so glad she did, because her approach to surface print was different to anything I’d seen before. I’m excited to be one of the first to present part of her confident, mix media prints from her final collection even before she graduates.

The self-proclaimed, print obsessed designer Emily Carter has continued to build her textile brand Rose Honick since showcasing at the Look Like Love exhibition last September. This time she has shifted her focus away from cushions and tea towels towards zip pouches and purses, all completely hand-made, hand-printed with her cool, clashing print designs.

Lucinda Ireland has a stand-out typographic identity associated with the work we are familiar with, her bold illustrative prints ‘Hello’ prints  and most recently a commission for Harvey Nichols latest event. She is constantly evolving and her street art is the latest addition to her portfolio lifting the mood of the grimy streets of London.

Tom Hutchinson celebrated the launch of his first collection with us last September off the back of his incredibly successful Kickstarter campaign. This Spring, as well as his signature collection, expect new hand-crafted pieces as he expands his homeware and product range.

A new addition to Look Like Love, Amy Leigh’s graduate jewellery collection had a sculptural, stand-out influence to it. Since graduating, she has been developing a more wearable range that still stays true to her original inspirations.

CM Carter is one of our original designers and she continues to delight with her humorous illustrative offerings. Her latest collection builds on her exhibited pieces from last year with an expanded range of illustrated prints with there comic undertones.

I first spotted Jennifer Stafford at New Designer’s a few years ago, and although at the time she wasn’t in a position to be part of Look Like Love, it was a lovely surprise to hear from Jennifer to let me know that she had set up her workshop and had a collection ready to go. As well as her minimalistic range on offer, she has teamed up with artist Susi Bellamy with a more colourful collection of vessels.

With the final preparations underway, and a range of talks and workshops throughout the week, I hope you can all pop down to see this extremely talented group of designers, all are ones to watch and a moment to celebrate the best of British design talent.

Repetition Rules

During a recent trip back to Nottingham Trent University, ex-student and one of our designers Lucinda Ireland, went to talk to some of the current crop of students studying Graphic Design.

Lucinda also became a Look Like Love talent scout for the day, and one graphic design student in particular caught her eye, second year student Ella Robinson.

Still honing her craft, the French-born 21 year old has a real freshness to her illustrative creations, and the repetition in her work gives them a real presence, developing a fun, refined style of working.

I try, as best as possible, to stay true to traditional illustrative techniques…and am driven by exploring and constantly absorbing memorising imagery, I’m aiming to develop a future of engaging, limitless surface prints…

I don’t often talk about commerciality in graduate collections, as there needs to be a certain freedom of expression to students work, but I also feel that it shouldn't be ignored, and this is something that Ella has managed to capture, consciously or not. It’s easy to imagine her work as a wallpaper, or print on fabric for cushions, tea towels or everyone’s favourite canvas bag. (You can never have too many!)

With her final year fast approaching, it’s an exciting time to showcase her personality as well as her passion for print-making, and I can’t wait to see what she comes up with next.

CM-02CM-04CM-08

What A Time To Be Alive

Last week I took a trip to High Wycombe for the launch of illustrator CM Carter’s exhibition, ‘What A Time To Be Alive.’

Under the name, Breakfast Champion, Claire’s irreverent comic-inspired illustrations actually signalled the launch of Look Like Love, when she featured in our very first blog post back in 2011, and I’ve been following her progress as an emerging graphic artist and illustrator ever since.

The Snug Gallery, a space within the The Belle Vue pub in High Wycombe, was the setting for her first solo exhibition, showcasing a variety of prints from her growing collection of stand-out illustrations.

Alongside were a selection of her limited edition comics, t-shirts and a large statement print. The muted tones off-set the dark comic humour she creates in a world of quirky characters which exude rebellion.

‘What A Time To Be Alive.’  is on until mid-March at;

The Belle Vue Snug Gallery
45 Gordon Rd,
High Wycombe,
Buckinghamshire
HP13 6EQ

Can’t make it? We have a selection of prints, comics and t-shirts available from CM Carter, with new pieces coming soon!