Fund a future designer…

Whether a past or present designer I've had the pleasure to work with, I'll always try and help as much as I can with their own endeavours or projects.

One such designer who featured her first womenswear collection both on-line and at two of our pop-ups is Reece Curtis-Walwyn last year, is continuing to flourish and build her own womenswear label. But with all businesses, this is no mean feat.

Having been asked to present her latest collections as this Winter's Clothes Show Live in Birmingham, she is in need of a helping hand to get her there, and has launched her own crowd funding page to go towards the cost of the stand. Like all crowd funding sites, she is offering an array of pieces for pledges ranging from new collection t-shirts to a signature RCW jacket.

To give an emerging designer a helping hand, click on the link below to pledge your support...

http://www.crowdfunder.co.uk/fund-a-future-designer

We'll be selling RCW t-shirts in support too, available in the next couple of weeks

New Designer’s Part 2 – 2016

In a second whirlwind visit to the Business Design Centre last week, Part 2 of New Designer's brings together graduates from furniture, product, interior and digital, as well as a second helping of illustration. And as always, the array of work on offer, the quality and craftsmanship was of the highest standard.

When scouting for new talent and potential designers to work with, it's not simply about the end product, but the research, inspiration and detailing that catches my eye. On a personal level, I'm often drawn to sketch books, doodles and scribbles that a seed of an idea may have originated from, which then in turn leads to a final solution. Four designers in particular caught my eye this year, already showing huge promise and potential as up-and-coming designers with their commercially aware products, and interestingly, three of whom are graduates from the same university.

Francesca Moutafis, a product and furniture graduate from Kingston University, has comprised her final collection with a series of furniture and minimalist ceramics. Her sensitive touch with both mediums has given her the opportunity to create a cohesive, decorative and functional range of pieces.

Northumbria University, provided a well-rounded and professional collection of work that wouldn't be out of place on the shelves of Heal's or Habitat, and one of the stand-out areas of this year's part 2 exhibition. So unsurprisingly, I have chosen three graduates from Northumbria as my ones to watch.

Specialising in lighting design, Emma Graney has used architecture and geometry to influence her urban inspired pieces, with a mix of concrete and glass, combined with the fluidity of a traditional filament bulb. She intends to continue to grow her body of work, not only in lighting design, but would also like to experiment with furniture using timber. A hint of softness perhaps to compliment the brutalist lighting elements.

George Riding made the switch to the BA (Hons) Furniture & Product Design, after feeling limited in his creativity studying a BSc in Product Design and Engineering. Making the move has allowed him to look deeper into the emotional aspects of design, and creating a positive experience for the end user. His Indoor Watering Can was one of several pieces on show, focusing on functional and minimal aesthetic qualities.

Also graduating from Northumbria is product and furniture designer Olivia Post. Her Spin Lamp combines timber and copper and was designed to be functional and playful. Inspired by the child's toy, a spinning top, the interactive nature of the piece means it can act as a task or ambient light feature.

An impressive selection this year that not only motivates me as a designer, as well as a supporter of new talent, but inspires me too. The confidence with which new designers now promote themselves and their work is wonderful to see, setting up an online presence has become second nature with a plethora of self-titled studios and workshops already popping up across the country, it seems that creative endeavours won't be slowing down any time soon.

Designers from Left to Right...

Top - Emma Graney/ George Riding
Bottom - Francesca Moutafis/ Olivia Post

 

New Designer’s Part 1-2016

Year on year the level of talent that comes out of UK universities continues to rise, making New Designer's a pivotal and key event in my calendar. Part One consists of Fashion and Textiles, Jewellery, Ceramics and Contemporary Design Crafts, combining contrasting tactility of fabric, metals and porcelain.

Thursday for me is always a good time to look around, just far enough away from the stress of setting-up and the hustle and bustle of the preview and awards evening, it allows time and space to enjoy the array of stands, and talk with some of the designers about their work.

Inspiration ranged from the idea of zero wastage and the challenge of evolving work in this way, (Nikkita Palmer) to using the culture of Japan as a back-drop to not only the design process, but also the way that East and West gravitate towards different forms of beauty. (Samantha McNamara)

Bold colour mixed with brutalist architectural references, (Bethany Stafford) added a modern approach to ceramic design, allowing the user to play and create their own block combinations, whereas a more muted collection in pastel hues was presented in a cluster of curved vessels, (Holly Kemp).

It was also impressive to see an interior business already in full swing, professional and focused with a lean towards homeware, the ceramics on show used natural textures working alongside grey hues (Day Design)And away from the ceramics and craft, the sparkle of silver and gold took a back seat as the hard, angular metal pieces caught my eye, (Violeta Kozlova).

Whether practical or decorative, the range of work on show was inspiring, exciting, forward-thinking and brimming with confidence.

Designers from Left to Right...

Top - Day Design/ Nikkita Palmer/ Violeta Kozlova
Bottom - Bethany Stafford/ Samantha McNamara/ Holly Kemp